The
purchase of an object d'art watch: |
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The story of the purchase of a watch made in the best ages of Swiss watchmaking Click
on small images to view large ones! |
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1.
A long way to go... It was on July 14th, 2003 when I finally, after all these years, startet to write down my PhD thesis! What a date, after having survived several years as a PhD student in molecular biology! At that time I did not know that it would take me another year to complete the work, but anyway, the fact that most of the preparatory and the experimental work was accomplished would warrant a significant purchase! |
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But
there was something more, and most important: more watch related:
The opportunity to write the world's first article on the most
complicated wristwatch in the world, Lord
Arran's Ultra-Complication, a collaboration between Louis Elysée
Piguet, Franck Muller and the Zurich based master watchmaker Paul Gerber.
A once-in-your-life chance! I decided to celebrate these two important events in my life with the purchase of a most significant, timelessly beautiful watch built upon the standards of ultimate watchmaking art. Not an easy task for a student with limited funds! Several of the current offerings came to my mind, but quickly vanished. Not what I was looking for! It thought of someting time-proven, of ultimate quality, in technical, aesthetical and finishing terms. A difficult task, especially on a budget. But then, after remembering that there was a certain vintage Vacheron Constantin... ... a 'Ducati with upright shaft (the German term is much more poetic: 'Königswelle'! One could translate this with King's cam lobe...) and Desmodromic', as my good watchmaker friend, a master watchmaker, former employee of IWC and Lange & Soehne (he co-developed the IWC Doppelchronograph, the JLC Reverso Tourbillon and the A. Lange & Soehne 'Pour Le Merite'), described it: a throughbred watch with an equivalent movement inside, time-only without date: yes, this very subtile, destinctive and extremely refined watch would be worth to remember me on these two significant events during my entire life! I knew that this watch was in his private possession for two or so years, but unfortunately: 'Not for sale!'!! What should I do? I was prepared to spend a significant amount of money for it, I was even prepared to the fact that this purchase would mean: no more watches for the next one or two years... And now the object of my desire is unreachable! |
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But
at least this time in my life the luck was on my side! My friend felt
that I was r-e-a-l-l-y in deep love with this watch, and
he also understood that I knew what kind of watch this example is:
it is not only a watch form a top swiss house, but it is also watch
worth a top house! Sandro
sympathised with me and my situation, and he sold me this most beautiful
Vacheron Constantin subject to the following strict conditions: I'm not
allowed to sell it, and if I should ever be in need to sell it, then
only to my girlfriend Isabelle!
I quickly agreed, and my friend was really surprised how fast he would have to live without the Vacheron Constantin! Proudly he handed the masterpiece in my hands... |
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The
Vacheron-Constantin feels perfect on my wrist, and one would not believe
that she only has a diameter of 35mm! |
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2.
The fine watch: |
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Inside
ticks a Vacheron-Constantin Calibre P454B (12 1/2", 5mm height, 18.000bph,
screwed balance, hairspring with Breguet overcoil, swan's neck regulator),
with the cap jewel set in black polished steel plate. This example
here is the rare 18 jewel version (this is the first example and one
of only two I have seen of a 18 jewel P454/B, even Vacheron-Constantin's
dealer catalogues only mention the 17 jewel versions), handwound of
course and with Parashock shock
absorber: |
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The
movement is constructed in an appealing bridged design, leaving much
surfaces left to submit to a marvellous hand finishing. Particularly
the area around the escapement gives a mouth-watering effect on a true
watch conaisseur. The perfectly polished swan's neck micro-regulator
(large image and small images below, left) is complemented with beautiful
finishing of the adjacent bridges and remarkably precise engravings
(small images below, middle left). Note that you can even see detailed
reflections on the Geneva stud carrier and mirrowed engravings on the
balance wheel (small images, middle and middle right). Just scrutinise
the regulator: The
polishing work done is astonishing! Originally, the swan's neck was missing. After I contacted Vacheron Constantin, they quickly offerd to send me one - for free (small images below , right)! This is what I would call dedication to the customer! |
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We
want to risk a closer look at the remarkable hand finishing done here.
The litmus test ist the black polished steel plate on the cap jewel. The
mirror effect, the fit to the pallet cock and also the anglage are flawless.
Of special dramaturgy is the tension between the black polished steel and
the anglages surfaces on the opposite bridge (large image and small images
below, left). It goes without further explanation that also parallel
edges such as the ones of the minute wheel bridge and the central seconds
cock on its top are absolutely coherently decorated (small images, right): |
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The
excellent decoration does not stop where collectors look first. All
edges are exceptionally anglaged and polished, the rims of the wheels
are anglaged as well, and the jewel bearings feature polished countersinks
(large image and small images below, left), Examine the elaborate shape
of the teeth of the ratchet wheel! Like wise, the Côtes Genevoises have
just the tiny breath which makes them appear like snow drifts (small
images below, left). The engravings, as already mentioned, are
machined with high precision and nicely filled with gold (small images,
right): |
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Even
with its minuscule cosmetical imperfections, such as a little bit of
dirt and some rust film (clearly indicating a need for a service!)
this watch is a witness of the great era of Swiss watchmaking. It carries
everything a fine watch could feature, and several aspects, escpecially
related to handwork, which are either astronomically expensive or plainly
not available any longer these days.
I feel honoured and proud to own this piece. Of course I have to thank
many people who helped me in my decision!
P.S.: This is the first watch that my girlfriend liked on the first view! :-) |
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The
images are taken with a Nikon Coolpix 950 (workshop photos) and an
Olympus E-1 digital SLR with a 50mm Zuiko ZD Macro lens, a remote flash
and a self-made perspex lighthouse. |
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Magnus Bosse © July 2003 Last update 06 December 2006 |
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